for details write to patricia@brand-comm.com
Friday, November 13, 2009
Wednesday, October 21, 2009
A tribute to print advertising
Our columnist makes a case for a return to the medium which, he says, allows marketers to “sell rationally”.
Vintage brand, vintage advertising
Vintage brand, vintage advertising.
When was the last time you saw a great print ad? I know I must scratch my head to get the answer, but given my failing memory and disappearing hairline, I may be excused. But what about you? One of my favourite pastimes is to ask people which adverti sing campaigns they remember. The answers vary from Cadbury’s (these are usually older people with diabetes who are not allowed to have chocolates), Fevicol (perhaps guys who have never fixed anything in their lives), Vodafone (definitely dog lovers married to people who cannot stand dogs), Idea Cellular (obviously guys who have never had a single idea in their lives), Tata Tea (guys who slept through election day) and Titan (perhaps because they have been gifted with so many watches in their lives).
These are seriously good television campaigns. But honestly, does anyone talk about press advertising today, much less remember it? And it is not as though we spend every waking moment in front of the idiot box. We surf the Net, spend half our working day sending forwards that no one reads, continue to read the newspaper in the loo (widely accepted as the best antidote to constipation) and browse through magazines (after all, we want to know who Salman is going around with). Yet, where are the ads that stop us? Ads with arresting headlines, visuals that paint a thousand words, body copy that is as easy to read as the topmost line in the optometrist’s chart and a tagline that is as easy to recall as the six times table (having a name like Ramanujam gives me some inherent numerical ability that sadly stops at this level of multiplication.)
These are seriously good television campaigns. But honestly, does anyone talk about press advertising today, much less remember it? And it is not as though we spend every waking moment in front of the idiot box. We surf the Net, spend half our working day sending forwards that no one reads, continue to read the newspaper in the loo (widely accepted as the best antidote to constipation) and browse through magazines (after all, we want to know who Salman is going around with). Yet, where are the ads that stop us? Ads with arresting headlines, visuals that paint a thousand words, body copy that is as easy to read as the topmost line in the optometrist’s chart and a tagline that is as easy to recall as the six times table (having a name like Ramanujam gives me some inherent numerical ability that sadly stops at this level of multiplication.)
Oh, the disadvantages of remembering the past!
I always wanted to be a copywriter. Maybe the advertising industry had earned some good karma, because I was never allowed anywhere near a typewriter. I returned with a vengeance and became a column writer, but that still does not explain my passion for copywriting. I was completely hooked on to ads. I lived, dreamt, ate and slept ads. And those ads were press ads. Who owned a television set in the Seventies?
I could visualise the pleasure of driving around in a Rolls Royce thanks to David Ogilvy’s much publicised lines “At sixty miles an hour the loudest noise in this new Rolls-Royce comes from the electric clock.” I still visualise the ride, as my books don’t sell a hundred million copies and I have only seen a Rolls Royce from the outside, most recently on the Bandra-Worli sea link. I was madly in love with the Volkswagen thanks to the “Think small” and the “Lemon” and the hundred other ads for the brand. Maybe one day I will buy a Volkswagen, who knows!
Who can forget the Avis “We try harder … ” ads? I was not a drinker when I saw the Cutty Sark ads that exhorted me to ‘never give up the ship’. If and when the brand is readily available in India I will follow that advice. I remember the Chivas Regal ad for Father’s Day and it still brings tears to my eyes when I read it: “Because I don’t say thank you as often as I should. Because it’s Father’s Day. Because if you don’t deserve Chivas Regal, who does?” says the ad. Clearly my children have not read the ad. In any case they studiously ignore the one day that poor, uncared-for fathers are recognised and blatantly ignore the most overt of reminders from their mother! They too will be fathers one day!
And what about the Absolut ads, arguably the greatest print campaign of all time! I can never forget the ‘Absolut DC’ ad with the bottle draped in oodles of red tape. Pity, the tape in New Delhi would have made that of Washington DC look a weak shade of pink without a shadow of doubt! Yes, those were romantic, heady days. We had some great press ads in India too with people such as Frank Simoes, Kersy Katrak, Kiran Nagarkar, Mohamed Khan, Elsie Nanji and Alok Nanda, to name just a few, who were doing great press work. Agencies such as Trikaya, Rediffusion, Enterprise, Ambience and Nexus produced print work that was comparable with the best in the world. But what happened after that?
I always wanted to be a copywriter. Maybe the advertising industry had earned some good karma, because I was never allowed anywhere near a typewriter. I returned with a vengeance and became a column writer, but that still does not explain my passion for copywriting. I was completely hooked on to ads. I lived, dreamt, ate and slept ads. And those ads were press ads. Who owned a television set in the Seventies?
I could visualise the pleasure of driving around in a Rolls Royce thanks to David Ogilvy’s much publicised lines “At sixty miles an hour the loudest noise in this new Rolls-Royce comes from the electric clock.” I still visualise the ride, as my books don’t sell a hundred million copies and I have only seen a Rolls Royce from the outside, most recently on the Bandra-Worli sea link. I was madly in love with the Volkswagen thanks to the “Think small” and the “Lemon” and the hundred other ads for the brand. Maybe one day I will buy a Volkswagen, who knows!
Who can forget the Avis “We try harder … ” ads? I was not a drinker when I saw the Cutty Sark ads that exhorted me to ‘never give up the ship’. If and when the brand is readily available in India I will follow that advice. I remember the Chivas Regal ad for Father’s Day and it still brings tears to my eyes when I read it: “Because I don’t say thank you as often as I should. Because it’s Father’s Day. Because if you don’t deserve Chivas Regal, who does?” says the ad. Clearly my children have not read the ad. In any case they studiously ignore the one day that poor, uncared-for fathers are recognised and blatantly ignore the most overt of reminders from their mother! They too will be fathers one day!
And what about the Absolut ads, arguably the greatest print campaign of all time! I can never forget the ‘Absolut DC’ ad with the bottle draped in oodles of red tape. Pity, the tape in New Delhi would have made that of Washington DC look a weak shade of pink without a shadow of doubt! Yes, those were romantic, heady days. We had some great press ads in India too with people such as Frank Simoes, Kersy Katrak, Kiran Nagarkar, Mohamed Khan, Elsie Nanji and Alok Nanda, to name just a few, who were doing great press work. Agencies such as Trikaya, Rediffusion, Enterprise, Ambience and Nexus produced print work that was comparable with the best in the world. But what happened after that?
Only TV, only TV, it’s only TV!
Even as Delhi struggles to get ready for the Commonwealth Games, it is worthwhile to remember that it was the Asiad in the same city that spawned the growth of colour televisions in the country and, therefore, TV advertising. Agencies realised the potency of this medium and geared themselves to meet the challenge. Many of the Levers brands such as Liril and Surf latched on to the medium. Other agencies, particularly Mudra (as I was familiar with its operations at that time), geared themselves to build competencies in this medium. Brands such as Vimal and Rasna walked into millions of living rooms with their creativity.
There was a point of view that talented film producers were bailing out agencies still trying to create for this medium as a lot of the early TV work was actually attributable to talented film producers who were improving the creative product enormously with their ideas and even their scripts. Be that as it may, agencies started to create for this medium and a new breed of copywriters emerged who understood and thrived in this medium. India has got enormous talent in Bollywood and Kollywood and every other ‘wood’.
The best names in films realised this was a different challenge – final products with a duration of 30 seconds as against three hours, needing its own brand of skills. This did not deter the best music composers, film and art directors from making their mark. It is pertinent to remember that A.R. Rahman started out as a jingle composer. Others such as P. C. Sreeram and Rajiv Menon from the South did outstanding work both in commercial cinema and in TV commercials. Consequently, our skills in this medium are finely-honed and over the years some outstanding work has taken place. When I visit the US and watch the TV commercials there, I am inclined to believe that the average TV commercial in India is much better conceptualised, produced and is a lot more rewarding for the viewer and there are billions. Yes, India has tremendous challenges of language, religion, customs, even dialects, but the advertising industry has conquered these in the medium of TV. But what about print?
Even as Delhi struggles to get ready for the Commonwealth Games, it is worthwhile to remember that it was the Asiad in the same city that spawned the growth of colour televisions in the country and, therefore, TV advertising. Agencies realised the potency of this medium and geared themselves to meet the challenge. Many of the Levers brands such as Liril and Surf latched on to the medium. Other agencies, particularly Mudra (as I was familiar with its operations at that time), geared themselves to build competencies in this medium. Brands such as Vimal and Rasna walked into millions of living rooms with their creativity.
There was a point of view that talented film producers were bailing out agencies still trying to create for this medium as a lot of the early TV work was actually attributable to talented film producers who were improving the creative product enormously with their ideas and even their scripts. Be that as it may, agencies started to create for this medium and a new breed of copywriters emerged who understood and thrived in this medium. India has got enormous talent in Bollywood and Kollywood and every other ‘wood’.
The best names in films realised this was a different challenge – final products with a duration of 30 seconds as against three hours, needing its own brand of skills. This did not deter the best music composers, film and art directors from making their mark. It is pertinent to remember that A.R. Rahman started out as a jingle composer. Others such as P. C. Sreeram and Rajiv Menon from the South did outstanding work both in commercial cinema and in TV commercials. Consequently, our skills in this medium are finely-honed and over the years some outstanding work has taken place. When I visit the US and watch the TV commercials there, I am inclined to believe that the average TV commercial in India is much better conceptualised, produced and is a lot more rewarding for the viewer and there are billions. Yes, India has tremendous challenges of language, religion, customs, even dialects, but the advertising industry has conquered these in the medium of TV. But what about print?
So what is the problem?
As always, it is easier to describe the problem than to offer a solution, but problem definition is a good first step to finding a solution. The problem partly lies with the advertising agencies which have recruited, trained and rewarded a whole breed of copywriters who think, breathe and live TV scripts … and it shows. Success is built around the 30-second commercial and “integration” usually means one outstanding piece of work that is created for television and multiple adaptations of the same thought. The print version is usually a poor second cousin. Rarely is print the lead medium. Of course, the numbers justify the importance of the TV medium but print delivers brilliant numbers too, if only we recognise its value and functionality.
Print allows us to sell rationally. But do we have the skills? The old school of copywriters that I worked with was reared on Wren and Martin. (I can almost hear you asking who they are?) If they gave you a piece of writing, you could bet your bottom dollar that while you could argue about the creative approach, you could not utter a word about its correctness. They read The Hindu and The Statesman, did the crossword and could engage you intellectually. Of course, in those days ads were originally conceptualised, written and released in English and then translations followed. Today, the conceptualisation for most brands is created in Hindi. This is not necessarily a bad thing, but I wonder if that too is affecting the quality of the creative product as perhaps it is easier to create for TV in Hindi than to write ads in that language.
I think the time is right for the advertising agency to realise that it’s missing a trick. Television has been and perhaps will continue to be the low-hanging fruit. But there needs to be a long-term solution. The increasing literacy levels of the country and the potency of print as a medium cannot be ignored forever. I do know that agency folk listen more to their clients than to their spouses so maybe clients should put their foot down and ask for better print advertising.
Advertising too should highlight the value of print in its awards, forums and discussions. Maybe the newspaper industry should lead the way in this initiative. The industry has its own share of veterans who understand this medium and its nuances. Maybe now is the time to ensure that their talent is recognised. It is time for people like me who have been in the industry for ages to give back to the industry that has given us so much and what better way than to train the talented and yet raw youngsters who are in this industry and have no clue of what they should be doing?
Yes, the time is right to ‘Think Print’.
(Ramanujam Sridhar is CEO, brand-comm, and the author of Googly: Branding on Indian Turf.)
As always, it is easier to describe the problem than to offer a solution, but problem definition is a good first step to finding a solution. The problem partly lies with the advertising agencies which have recruited, trained and rewarded a whole breed of copywriters who think, breathe and live TV scripts … and it shows. Success is built around the 30-second commercial and “integration” usually means one outstanding piece of work that is created for television and multiple adaptations of the same thought. The print version is usually a poor second cousin. Rarely is print the lead medium. Of course, the numbers justify the importance of the TV medium but print delivers brilliant numbers too, if only we recognise its value and functionality.
Print allows us to sell rationally. But do we have the skills? The old school of copywriters that I worked with was reared on Wren and Martin. (I can almost hear you asking who they are?) If they gave you a piece of writing, you could bet your bottom dollar that while you could argue about the creative approach, you could not utter a word about its correctness. They read The Hindu and The Statesman, did the crossword and could engage you intellectually. Of course, in those days ads were originally conceptualised, written and released in English and then translations followed. Today, the conceptualisation for most brands is created in Hindi. This is not necessarily a bad thing, but I wonder if that too is affecting the quality of the creative product as perhaps it is easier to create for TV in Hindi than to write ads in that language.
I think the time is right for the advertising agency to realise that it’s missing a trick. Television has been and perhaps will continue to be the low-hanging fruit. But there needs to be a long-term solution. The increasing literacy levels of the country and the potency of print as a medium cannot be ignored forever. I do know that agency folk listen more to their clients than to their spouses so maybe clients should put their foot down and ask for better print advertising.
Advertising too should highlight the value of print in its awards, forums and discussions. Maybe the newspaper industry should lead the way in this initiative. The industry has its own share of veterans who understand this medium and its nuances. Maybe now is the time to ensure that their talent is recognised. It is time for people like me who have been in the industry for ages to give back to the industry that has given us so much and what better way than to train the talented and yet raw youngsters who are in this industry and have no clue of what they should be doing?
Yes, the time is right to ‘Think Print’.
(Ramanujam Sridhar is CEO, brand-comm, and the author of Googly: Branding on Indian Turf.)
Thursday, October 8, 2009
Keep smiling, things can’t get worse!
The advertising industry is going through tough times. But it’s important to take the mind off the gloom..
Yes, the time is ripe for some cheer. Today I am able to talk about some of my experiences and actually laugh about them. It is time perhaps to recall what my first boss in advertising said: “Keep your sense of humour, otherwise you will go mad in this industry.”
Yes, the time is ripe for some cheer. Today I am able to talk about some of my experiences and actually laugh about them. It is time perhaps to recall what my first boss in advertising said: “Keep your sense of humour, otherwise you will go mad in this industry.”
Times are bad! How often have we heard this in recent times? Throw in the media adding their two bit, talk of layoffs, salary cuts, increasing client cribs and reduced retainers, and it seems advertising’s cup of woe is brimming over. I know that other industries too have their own horror stories but let me stay with the advertising industry as I spend so much of my time in this industry and am confronted by so many gloomy faces around me, I thought that I need to try to entertain them and you too, dear reader, for your patience over the years, with a few of the things that have happened to me in my long (there I go again) life in advertising.
It seems now that it is not only the industry that is going through doom and gloom but the whole country! The Indian cricket fan too has joined the depressed bandwagon, for as I write Australia has just scraped past a rampaging Pakistan to throw India out of the champion’s trophy and the TV media is going hammer and tongs at yesterday’s darling, M. S. Dhoni. Yes, the time is ripe for some cheer. Today I am able to talk about some of my experiences and actually laugh about them; as time, they say, heals everything. It is time perhaps to recall what my first boss in advertising said: “Keep your sense of humour, otherwise you will go mad in this industry.” Though lots of people might consider me a bit potty, to put it mildly, I have, I believe, managed to retain my sanity, if not my hair. Today many of the people I am writing about are no longer my clients, which probably explains their prosperity and my penury, but I remember them fondly and thank them for bringing laughter into my life and also teaching me a few lessons in life.
It seems now that it is not only the industry that is going through doom and gloom but the whole country! The Indian cricket fan too has joined the depressed bandwagon, for as I write Australia has just scraped past a rampaging Pakistan to throw India out of the champion’s trophy and the TV media is going hammer and tongs at yesterday’s darling, M. S. Dhoni. Yes, the time is ripe for some cheer. Today I am able to talk about some of my experiences and actually laugh about them; as time, they say, heals everything. It is time perhaps to recall what my first boss in advertising said: “Keep your sense of humour, otherwise you will go mad in this industry.” Though lots of people might consider me a bit potty, to put it mildly, I have, I believe, managed to retain my sanity, if not my hair. Today many of the people I am writing about are no longer my clients, which probably explains their prosperity and my penury, but I remember them fondly and thank them for bringing laughter into my life and also teaching me a few lessons in life.
Bring on the music!
When I started the Bangalore office of Mudra in 1987, I used to go around on my TVS Suzuki motorcycle, thereby bringing disrepute to the advertising profession as I must have been the only branch manager of a large agency who was zipping around on a motorcycle, or so I believed. Of course, I need to slip in the reason why I was using it. The reason was simple. I could not afford a car; but more critically I used to handle the account of TVS Suzuki in my earlier agency and to me what David Ogilvy said was gospel truth: “You’d better use your client’s products!” he would thunder. On the lighter side I used to wonder if the agency which handles the client does not use the product then who else will! But less of me and my asides and more of what happened.
The two client service personnel in the agency at that time, my account supervisor and I, would go spinning around on my motorcycle with our bag full of layouts and our hearts full of hope. Business was scarce and we spent a lot of time knocking on doors with scant success. But we did get the odd, small assignment. One such was being asked to do a radio spot for one of our clients — a local cement manufacturer in Bangalore, who belonged to one of the largest business families in India.
The greatest claim to fame of the managing director of the company was that he had married into the illustrious family and I must confess that it was difficult for me and my colleague to keep a straight face as the client briefed us about the project on hand. “The mugic must be good,” he gushed. “People like mugic,” he pronounced “Do you have someone who will compose the mugic?” he asked. Both my colleague (who is today the COO of a large marketing company) and I were IIM products, and we were probably a bit vain about our management qualifications not to mention our English accents. We went down the lift laughing at the poor man’s accent and even as we were getting ready to start our trusted steed our client came down, entourage et al, with two people ready to open the lift door, and the car door of the latest Mercedes Benz of that time! Yes, we learnt an important lesson that day: “It is not your accent that matters as much as the family you marry into!” I would have cheerfully traded my accent for a Benz if anyone wanted it, but life is not always as simple as it seems, is it?
When I started the Bangalore office of Mudra in 1987, I used to go around on my TVS Suzuki motorcycle, thereby bringing disrepute to the advertising profession as I must have been the only branch manager of a large agency who was zipping around on a motorcycle, or so I believed. Of course, I need to slip in the reason why I was using it. The reason was simple. I could not afford a car; but more critically I used to handle the account of TVS Suzuki in my earlier agency and to me what David Ogilvy said was gospel truth: “You’d better use your client’s products!” he would thunder. On the lighter side I used to wonder if the agency which handles the client does not use the product then who else will! But less of me and my asides and more of what happened.
The two client service personnel in the agency at that time, my account supervisor and I, would go spinning around on my motorcycle with our bag full of layouts and our hearts full of hope. Business was scarce and we spent a lot of time knocking on doors with scant success. But we did get the odd, small assignment. One such was being asked to do a radio spot for one of our clients — a local cement manufacturer in Bangalore, who belonged to one of the largest business families in India.
The greatest claim to fame of the managing director of the company was that he had married into the illustrious family and I must confess that it was difficult for me and my colleague to keep a straight face as the client briefed us about the project on hand. “The mugic must be good,” he gushed. “People like mugic,” he pronounced “Do you have someone who will compose the mugic?” he asked. Both my colleague (who is today the COO of a large marketing company) and I were IIM products, and we were probably a bit vain about our management qualifications not to mention our English accents. We went down the lift laughing at the poor man’s accent and even as we were getting ready to start our trusted steed our client came down, entourage et al, with two people ready to open the lift door, and the car door of the latest Mercedes Benz of that time! Yes, we learnt an important lesson that day: “It is not your accent that matters as much as the family you marry into!” I would have cheerfully traded my accent for a Benz if anyone wanted it, but life is not always as simple as it seems, is it?
Just play the commercial!
My clients came in all sizes, shapes and hues. Some spoke with clipped British accents to the utterly desi ones whose lack of knowledge of English was more than compensated by their earthy wisdom and unerring knowledge of the consumer and the market. We were to produce a commercial for this client and came out with what I thought was a pretty good commercial.
I was to present the commercial and like all good client service people of that time I got my trusted slide projector out. I need to quickly tell you that in those days we used to rely on the 35 mm slide projector for support (just like the drunkard who leans against the lamppost more for support than illumination). Today, of course, we rely on the PowerPoint for precisely the same reasons, but back to the presentation. I got ready to play my regulation 40 slides with the background, the target audience, the creative strategy ... Sounds familiar? I launched into my pitch with all the eloquence of a passionate account executive who is not allowed to speak at home.
Barely was I on to slide three when the client got up ... “Mr Shiridhar, please stop,” he said. I stopped, confused and bewildered and looked at him, waiting for direction like all good client servicing people do. “Tell me, Mr Shiridhar,” he said, “are you going to stand in front of every television set in the country and make this presentation before our commercial comes on air? Nahi na, so just play the commercial.” He was absolutely right as clients usually are and I saw the wisdom of what he was saying. How often do we get carried away by the power of our own rhetoric and the colour of our slides and forget that it is all about the commercial that the consumer gets to see eventually. Yes, “show and tell’ is the name of the game. Your commercial must entertain and sell without all the bells and whistles that precede it when you are presenting to the client.
My clients came in all sizes, shapes and hues. Some spoke with clipped British accents to the utterly desi ones whose lack of knowledge of English was more than compensated by their earthy wisdom and unerring knowledge of the consumer and the market. We were to produce a commercial for this client and came out with what I thought was a pretty good commercial.
I was to present the commercial and like all good client service people of that time I got my trusted slide projector out. I need to quickly tell you that in those days we used to rely on the 35 mm slide projector for support (just like the drunkard who leans against the lamppost more for support than illumination). Today, of course, we rely on the PowerPoint for precisely the same reasons, but back to the presentation. I got ready to play my regulation 40 slides with the background, the target audience, the creative strategy ... Sounds familiar? I launched into my pitch with all the eloquence of a passionate account executive who is not allowed to speak at home.
Barely was I on to slide three when the client got up ... “Mr Shiridhar, please stop,” he said. I stopped, confused and bewildered and looked at him, waiting for direction like all good client servicing people do. “Tell me, Mr Shiridhar,” he said, “are you going to stand in front of every television set in the country and make this presentation before our commercial comes on air? Nahi na, so just play the commercial.” He was absolutely right as clients usually are and I saw the wisdom of what he was saying. How often do we get carried away by the power of our own rhetoric and the colour of our slides and forget that it is all about the commercial that the consumer gets to see eventually. Yes, “show and tell’ is the name of the game. Your commercial must entertain and sell without all the bells and whistles that precede it when you are presenting to the client.
Presentation for dessert!
The late Eighties were the days of the great Indian IPO. Everyone and his brother-in-law were going public. The big cons were granite and aquaculture and the hotbed was Hyderabad where rumour had it that the moment the company went public the first capital investment the company would make would be buying a Mercedes for the MD! But back to our own travails! We were chasing one such IPO and the company did not even have an office. So we were asked to present at the client’s house.
Shamelessly we went and the joint family was having dinner. My favourite image of the ad agency is like that of my retriever with its tongue hanging out longingly, so much does new business mean to us agency people! There were only 50 people, children running around, and mayhem, a bit like the Fortune cooking oil commercial that one sees on TV.
Before the dessert we set up our projectors for the entertainment! I got ready to present, only to realise that I was the odd man out as my client probably spoke only a few words of English. The daughter-in-law was the smartest one and she was quietly managing the show and the company. So my colleague, who is the president of one of India’s top three agencies today, bailed me out by presenting our great advertising strategy and the creative in chaste Hindi (or so I presumed as I did not understand a word of what he said). I personally believe the presentation was too good for the client as we did not get the business and boy, was I glad about that as the company went under a little later! Sometimes we do get some things right, even by accident!
I am not sure if you are feeling as good as I am after reading this, but at least I am sure I have gotten your mind off the gloom, and never mind, we will beat Australia 7-0 when they come here!
(Ramanujam Sridhar is CEO, brand-comm, and the author of Googly: Branding on Indian Turf.)
The late Eighties were the days of the great Indian IPO. Everyone and his brother-in-law were going public. The big cons were granite and aquaculture and the hotbed was Hyderabad where rumour had it that the moment the company went public the first capital investment the company would make would be buying a Mercedes for the MD! But back to our own travails! We were chasing one such IPO and the company did not even have an office. So we were asked to present at the client’s house.
Shamelessly we went and the joint family was having dinner. My favourite image of the ad agency is like that of my retriever with its tongue hanging out longingly, so much does new business mean to us agency people! There were only 50 people, children running around, and mayhem, a bit like the Fortune cooking oil commercial that one sees on TV.
Before the dessert we set up our projectors for the entertainment! I got ready to present, only to realise that I was the odd man out as my client probably spoke only a few words of English. The daughter-in-law was the smartest one and she was quietly managing the show and the company. So my colleague, who is the president of one of India’s top three agencies today, bailed me out by presenting our great advertising strategy and the creative in chaste Hindi (or so I presumed as I did not understand a word of what he said). I personally believe the presentation was too good for the client as we did not get the business and boy, was I glad about that as the company went under a little later! Sometimes we do get some things right, even by accident!
I am not sure if you are feeling as good as I am after reading this, but at least I am sure I have gotten your mind off the gloom, and never mind, we will beat Australia 7-0 when they come here!
(Ramanujam Sridhar is CEO, brand-comm, and the author of Googly: Branding on Indian Turf.)
Wednesday, September 23, 2009
Sleeping with the enemy?
Telecom brands are trying to outsmart each other to get noticed, but are they missing the bigger picture? Post-independence, pre-liberalised India was a period characterised by paucity of choice. There were a few brands that dominated the Indian market. HMT watches, India’s only watch manufacturer, ruled the roost. One waited seven years for the allotment of a Bajaj scooter. Those who received the allotment of the scooter were fortunate (their horoscopes were good). The fortunate ones sold the same scooter seven years later for the same price that they bought it, to their less fortunate brethren. The two major car brands were Fiat and Ambassador which have become taxis since. The noted management consultant Sharu Rangnekar used to say that Indians became closer to God once they got into their Ambassador cars as their first expression invariably was ‘Oh, God!’
How things have changed in modern India! Today the country has 721 models of cars that an Indian consumer can choose from, 250 brands of pressure cookers, 152 brands of namkeens (savoury snacks), 336 brands of chips, 165 brands of washing machines, 637 brands of mixer grinders … yes, we have become a surplus society amidst all the poverty that stares us in the face. As Kjell Nordstrom & Jonas Ridderstrale, authors of the international bestseller Funky Business – Talent Makes Capital Dance, said, “The ‘surplus society’ has a surplus of similar companies, employing similar people, with similar educational backgrounds, coming up with similar ideas, producing similar products, with similar prices and similar quality.” While this quote was made for a different country and a different economy, it has many similarities to the India of today. Yes, these are challenging times for branding and more importantly for advertising as very often the only thing different about brands is their advertising, not much else has changed over the years.
How things have changed in modern India! Today the country has 721 models of cars that an Indian consumer can choose from, 250 brands of pressure cookers, 152 brands of namkeens (savoury snacks), 336 brands of chips, 165 brands of washing machines, 637 brands of mixer grinders … yes, we have become a surplus society amidst all the poverty that stares us in the face. As Kjell Nordstrom & Jonas Ridderstrale, authors of the international bestseller Funky Business – Talent Makes Capital Dance, said, “The ‘surplus society’ has a surplus of similar companies, employing similar people, with similar educational backgrounds, coming up with similar ideas, producing similar products, with similar prices and similar quality.” While this quote was made for a different country and a different economy, it has many similarities to the India of today. Yes, these are challenging times for branding and more importantly for advertising as very often the only thing different about brands is their advertising, not much else has changed over the years.
The power of advertising
Advertising can build brands, create imagery, build associations and help brands create properties that differentiate these brands from their competition. Advertising agencies have zealously guarded their brand’s distinctive characteristics and assiduously built on them.
Pepsi over the years has a tone of voice that is cheeky, irreverent, aggressive, competitive … all characteristics that young people can relate to, and it is hardly surprising that Pepsi continues to be a brand for the young and ‘young at heart’. Pepsi owns the colour blue and Coke the colour red (Remember the Coke commercial made for the 1996 cricket world cup that was held in India, Pakistan and Sri Lanka?) In fact, you just have to whisper the word ‘red’ to a Pepsi salesman and I am sure he would go blue in the face while a mere suggestion of the word ‘blue’ to a Coke salesman would make him see red.
As a consequence of all the efforts of brand owners and agencies, customers tend to make associations with the brands they consume and any others that they may recall. They respond to questions like ‘What comes to your mind when I say Pepsi’ by saying ‘blue’, recall the signature track of Titan and Britannia’s tin tin da din, and so on when asked about those brands.
In the crowded and cluttered world that we live in, brand associations that are recalled are extremely important as they ensure that brands stay within the frame of reference of the consumer and in her consideration set. Some of these associations that are particularly strong become brand properties over time.
Advertising can build brands, create imagery, build associations and help brands create properties that differentiate these brands from their competition. Advertising agencies have zealously guarded their brand’s distinctive characteristics and assiduously built on them.
Pepsi over the years has a tone of voice that is cheeky, irreverent, aggressive, competitive … all characteristics that young people can relate to, and it is hardly surprising that Pepsi continues to be a brand for the young and ‘young at heart’. Pepsi owns the colour blue and Coke the colour red (Remember the Coke commercial made for the 1996 cricket world cup that was held in India, Pakistan and Sri Lanka?) In fact, you just have to whisper the word ‘red’ to a Pepsi salesman and I am sure he would go blue in the face while a mere suggestion of the word ‘blue’ to a Coke salesman would make him see red.
As a consequence of all the efforts of brand owners and agencies, customers tend to make associations with the brands they consume and any others that they may recall. They respond to questions like ‘What comes to your mind when I say Pepsi’ by saying ‘blue’, recall the signature track of Titan and Britannia’s tin tin da din, and so on when asked about those brands.
In the crowded and cluttered world that we live in, brand associations that are recalled are extremely important as they ensure that brands stay within the frame of reference of the consumer and in her consideration set. Some of these associations that are particularly strong become brand properties over time.
From fizzy drinks to cuddly things
There was a time when cola advertising was one of the few categories that people remembered, recalled and watched out for, in India at least. Today there are other categories that are jostling for the consumers’ attention, eyeballs and wallet. Many of these brands are no slouches when it comes to creativity. Notable is the category of mobile services. India is a young country that has taken to mobile phones like ducks to water. All the service providers, whether Airtel, BSNL, Vodafone, Virgin, Idea or Aircel, are outdoing each other in seeking attention and spending money. Idea’s ‘What an idea, Sirjee’ and Virgin’s ‘Think zara hatke’ immediately come to mind. Airtel too has used a host of celebrities and has entertained even as it leads the pack in market share and spending (perhaps). The less we talk about BSNL’s advertising the better as the brand strives hard to battle perceptions and tries to be something that it is clearly not. But the belle of the advertising ball has been Vodafone, earlier Hutch, with its little girl and pug and the Zoozoo campaign for value-added services. And it is about Vodafone that we will talk for some time now.
There was a time when cola advertising was one of the few categories that people remembered, recalled and watched out for, in India at least. Today there are other categories that are jostling for the consumers’ attention, eyeballs and wallet. Many of these brands are no slouches when it comes to creativity. Notable is the category of mobile services. India is a young country that has taken to mobile phones like ducks to water. All the service providers, whether Airtel, BSNL, Vodafone, Virgin, Idea or Aircel, are outdoing each other in seeking attention and spending money. Idea’s ‘What an idea, Sirjee’ and Virgin’s ‘Think zara hatke’ immediately come to mind. Airtel too has used a host of celebrities and has entertained even as it leads the pack in market share and spending (perhaps). The less we talk about BSNL’s advertising the better as the brand strives hard to battle perceptions and tries to be something that it is clearly not. But the belle of the advertising ball has been Vodafone, earlier Hutch, with its little girl and pug and the Zoozoo campaign for value-added services. And it is about Vodafone that we will talk for some time now.
Of curly locks and helpful dogs
The Vodafone campaign has arguably been one of the most creative campaigns of recent times. Invariably, it brings a smile on to people’s faces as I guess everyone of us likes cute children, and when you throw in a cuter pug into the fray, then you have a sure winner. There are a series of commercials that have been on air for some time. The girl and her companion dog are in a variety of situations and the dog is always helping his mistress, who is in strife on occasion. In the morning she has difficulty in finding her socks which the helpful dog finds, rushes to school and boards the bus without her school tie, and we have the visual of the dog running faithfully after the school bus hanging on to the tie for dear life.
Other commercials feature the same duo - one where the little girl nonchalantly uses the dog’s tongue to seal envelopes, another where the dog keeps following the child around the pool with the towel in his mouth and one more in which he dutifully digs up the sand for her to plant her shrubs. All cute, all widely shown and all well recalled. If you were to do an association test and ask people what comes to their mind when you say Vodafone and the responses could vary from ‘cute girl’ to ‘girl with curly hair’ to ‘dog’ to ‘helpful’. Most certainly, the two emphatic and widely recalled elements or associations would be ‘girl’ and ‘dog’. These are what consumers are saying are clear associations with Vodafone. So if I was their competition, I would steer clear of these associations. But then what happens?
The Vodafone campaign has arguably been one of the most creative campaigns of recent times. Invariably, it brings a smile on to people’s faces as I guess everyone of us likes cute children, and when you throw in a cuter pug into the fray, then you have a sure winner. There are a series of commercials that have been on air for some time. The girl and her companion dog are in a variety of situations and the dog is always helping his mistress, who is in strife on occasion. In the morning she has difficulty in finding her socks which the helpful dog finds, rushes to school and boards the bus without her school tie, and we have the visual of the dog running faithfully after the school bus hanging on to the tie for dear life.
Other commercials feature the same duo - one where the little girl nonchalantly uses the dog’s tongue to seal envelopes, another where the dog keeps following the child around the pool with the towel in his mouth and one more in which he dutifully digs up the sand for her to plant her shrubs. All cute, all widely shown and all well recalled. If you were to do an association test and ask people what comes to their mind when you say Vodafone and the responses could vary from ‘cute girl’ to ‘girl with curly hair’ to ‘dog’ to ‘helpful’. Most certainly, the two emphatic and widely recalled elements or associations would be ‘girl’ and ‘dog’. These are what consumers are saying are clear associations with Vodafone. So if I was their competition, I would steer clear of these associations. But then what happens?
Airtel’s special five
Airtel immediately came up with a commercial that seems to be shot in a street in London. A little girl comes out of a house with a tiny boat made of paper in her hands. She places it in a small puddle and follows the path of the boat down the street even as the London weather stays true to form and the skies open up causing strife to the boat. A bunch of five hands help the troubled girl by putting their hands protectively over the boat.
The ad is for Airtel’s scheme introducing a ‘special five’ numbers that enable you to choose certain numbers that you can speak with, at a concession if not free.
As advertising goes, it is pretty noticeable, well shot in excellent settings and has a fairly simple story idea.
The message too comes across fairly clearly. And yet, I have a major disconnect with it. Why, oh why, would Airtel chose another young girl with curly hair presumably around the same age? There must be other ways of communicating friendship and the gang of five.
Why choose a character that cues your strongest competitor and someone who is directly associated with that brand? Maybe I am overreacting and Airtel’s research is showing this commercial as effective, though I have my doubts.
Airtel immediately came up with a commercial that seems to be shot in a street in London. A little girl comes out of a house with a tiny boat made of paper in her hands. She places it in a small puddle and follows the path of the boat down the street even as the London weather stays true to form and the skies open up causing strife to the boat. A bunch of five hands help the troubled girl by putting their hands protectively over the boat.
The ad is for Airtel’s scheme introducing a ‘special five’ numbers that enable you to choose certain numbers that you can speak with, at a concession if not free.
As advertising goes, it is pretty noticeable, well shot in excellent settings and has a fairly simple story idea.
The message too comes across fairly clearly. And yet, I have a major disconnect with it. Why, oh why, would Airtel chose another young girl with curly hair presumably around the same age? There must be other ways of communicating friendship and the gang of five.
Why choose a character that cues your strongest competitor and someone who is directly associated with that brand? Maybe I am overreacting and Airtel’s research is showing this commercial as effective, though I have my doubts.
A word of caution
Too often clients and agencies are so close to their brands and their problems that they tend to miss obvious things. Otherwise, even a preliminary examination would have suggested that the brand is treading too closely on its competitor’s toes. Is ‘cuteness’ something that Airtel wishes to attain or is it something that Vodafone already has? Agencies spend a lot of time on the script, the locale, the music track, the feel of the commercial … all of these are extremely critical. But it is important to remember that every advertisement is just one more addition in the edifice that is the brand’s image. All the commercials together must build some clear, recognisable associations that the brand can own even as they steer carefully and widely away from the competition.
Airtel is not alone in this and many brands, one believes, are equally remiss in this regard. Take Taj Mahal tea, for instance. They have historically used celebrities and I really loved their use of the renowned tabla player Zakir Hussain.
For some reason best known to themselves, they moved to Saif Ali Khan who is one of the most abused celebrities endorsing a host of brands. Meanwhile, liquor brand Royal Stag too used Saif Ali Khan and he had a recognisable image with his guitar, bandanna and black shirt. I recently saw a mailer of Taj Mahal tea with Saif in about the same get-up as the well recognised Royal Stag look. I know that tea and whiskey do not compete – whiskey is consumed in the night and tea the morning after – but it certainly confuses and befuddles the consumer when it is the same celebrity, in the same outfit as well.
We live in challenging times and to classify what we are being exposed to as clutter is a horrible euphemism. It is time more than ever for agencies to watch not only their competition, but also the environment and what is happening around us, to ensure that we stay with our original brand promise and build our own set of associations instead of being confused by the competition and ending up imitating them.
(Ramanujam Sridhar is CEO, brand-comm, and the author of Googly - Branding on Indian Turf.)
Too often clients and agencies are so close to their brands and their problems that they tend to miss obvious things. Otherwise, even a preliminary examination would have suggested that the brand is treading too closely on its competitor’s toes. Is ‘cuteness’ something that Airtel wishes to attain or is it something that Vodafone already has? Agencies spend a lot of time on the script, the locale, the music track, the feel of the commercial … all of these are extremely critical. But it is important to remember that every advertisement is just one more addition in the edifice that is the brand’s image. All the commercials together must build some clear, recognisable associations that the brand can own even as they steer carefully and widely away from the competition.
Airtel is not alone in this and many brands, one believes, are equally remiss in this regard. Take Taj Mahal tea, for instance. They have historically used celebrities and I really loved their use of the renowned tabla player Zakir Hussain.
For some reason best known to themselves, they moved to Saif Ali Khan who is one of the most abused celebrities endorsing a host of brands. Meanwhile, liquor brand Royal Stag too used Saif Ali Khan and he had a recognisable image with his guitar, bandanna and black shirt. I recently saw a mailer of Taj Mahal tea with Saif in about the same get-up as the well recognised Royal Stag look. I know that tea and whiskey do not compete – whiskey is consumed in the night and tea the morning after – but it certainly confuses and befuddles the consumer when it is the same celebrity, in the same outfit as well.
We live in challenging times and to classify what we are being exposed to as clutter is a horrible euphemism. It is time more than ever for agencies to watch not only their competition, but also the environment and what is happening around us, to ensure that we stay with our original brand promise and build our own set of associations instead of being confused by the competition and ending up imitating them.
(Ramanujam Sridhar is CEO, brand-comm, and the author of Googly - Branding on Indian Turf.)
Thursday, September 3, 2009
Why is my favourite brand going downhill?
Jet Airways, which stood for smart and courteous service, now seems to have hit an air-pocket
Jet: Not sitting easy these days..
Jet: Not sitting easy these days..I have always been a great admirer of Jet Airways. I have had nothing but praise for this company that to me and several others epitomises world-class service. I have featured the brand in my writings and talked about it in seminars. When journalists ask me plaintively whether any Indian brand can be a force globally I speak with conviction about Infosys and Jet. Nor have I been alone or unique in this, as anyone who has travelled by the airline usually compares it favourably with other international airlines that they have travelled by. Jet stands for smart service delivered courteously time after time without being in-your-face.
I continue to be a frequent flier of the airline and remember fondly their mailer “Now we see you, now we don’t” sent to my friend who had stopped travelling by that airline temporarily. I am an admirer too of the way the airline has trained its staff to constantly address me by name and get my complex and maybe even long-winded South Indian name right. In startling contrast to what a retail outlet did for several years - it sent me over 70 mailers each and every one of which was addressed to ‘Sridhar Raitanujam’ perhaps quietly addressing my great preference for curd or raita, a form it frequently takes in India. But to return to Jet, I must confess that I am getting increasingly disenchanted with the brand, particularly in recent times.
I continue to be a frequent flier of the airline and remember fondly their mailer “Now we see you, now we don’t” sent to my friend who had stopped travelling by that airline temporarily. I am an admirer too of the way the airline has trained its staff to constantly address me by name and get my complex and maybe even long-winded South Indian name right. In startling contrast to what a retail outlet did for several years - it sent me over 70 mailers each and every one of which was addressed to ‘Sridhar Raitanujam’ perhaps quietly addressing my great preference for curd or raita, a form it frequently takes in India. But to return to Jet, I must confess that I am getting increasingly disenchanted with the brand, particularly in recent times.
Tough times call for tough actions. Do they?
In my opinion, Jet’s troubles began when it took over Sahara, which later became Jetlite. Historically airlines that take over low-cost airlines find the ride bumpy.
We have global examples that bear testimony to this theory. The attitude of the ‘no-frills airline’ to customers and services is very different from the regular airline’s own stated philosophy of service. It could be argued that the customer too knows what she is getting into when she ventures to travel by a no-frills airline.
In the heyday of Air Deccan, the customer braced herself for the 20-meter dash from the bus to the plane if she wanted a decent seat. She also hoped that she would not get thirsty as she knew she had to pay for the water and several of her savvier co-passengers came into the plane armed with packets of greasy food, leaving a healthy aroma in the plane which continued on to the next flight. But the regular airlines were different.
They plied the passenger with food at least, if not with drink, unlike the Damania of old, where guys would make a beeline for the bar at 6.30 a.m.! Those were the days and naively we thought they would never end, but unfortunately they did.
The problem with Jet now is that I do not know what to expect. The biggest problem seems to be that there are hardly any Jet Airways flights to travel by today or maybe I am not travelling at the times and to the places they want me to. I used to have a convenient flight out of Bangalore leaving at 7 a.m. which would enable me to do a full day’s work at Mumbai and return by a flight which left Mumbai at 8.10 p.m.
I would land at Bengaluru International Airport (what a grandiose name for such a teeny-weeny thing) at 9.30 p. m. Of course, I would reach home after 11.30 p.m. but then those are the advantages of having an airport that is closer to Hyderabad than Bangalore! I have realised to my chagrin that this 7 a.m. flight has become a Jet Konnect flight which used to be Jetlite or Sahara (how confusing can it get).
Nor does the confusion stop there. I get a message even earlier saying that I have to buy breakfast and will not be allowed to use the lounge at the airport. In contrast when I do travel by Kingfisher Red (which is Air Deccan), I get to use the lounge where I normally stuff myself and also get complimentary snacks (this will almost certainly take that brand further into the red but that is another story).
I am not for one instant suggesting that the way to the consumer’s heart is through his stomach, but it seems to help. But more seriously, I do know that brands have to economise in tough times such as these and given the fact that most airline brands are in the red, they must cut corners.
But whilst they are looking at ways of economising are they losing out on the very essence of the brand?
When they have two airlines trying to address differing market needs are they sending out conflicting signals to the market? In short what is the Jet brand today and how is the Jet Konnect brand different other than the fact that you have to buy your food? I am sure the company knows the difference between these two and I do hope they know what they are doing. It did not seem like a cheap airline and it did not seem vastly different from Jet, other than the food bit.
In my opinion, Jet’s troubles began when it took over Sahara, which later became Jetlite. Historically airlines that take over low-cost airlines find the ride bumpy.
We have global examples that bear testimony to this theory. The attitude of the ‘no-frills airline’ to customers and services is very different from the regular airline’s own stated philosophy of service. It could be argued that the customer too knows what she is getting into when she ventures to travel by a no-frills airline.
In the heyday of Air Deccan, the customer braced herself for the 20-meter dash from the bus to the plane if she wanted a decent seat. She also hoped that she would not get thirsty as she knew she had to pay for the water and several of her savvier co-passengers came into the plane armed with packets of greasy food, leaving a healthy aroma in the plane which continued on to the next flight. But the regular airlines were different.
They plied the passenger with food at least, if not with drink, unlike the Damania of old, where guys would make a beeline for the bar at 6.30 a.m.! Those were the days and naively we thought they would never end, but unfortunately they did.
The problem with Jet now is that I do not know what to expect. The biggest problem seems to be that there are hardly any Jet Airways flights to travel by today or maybe I am not travelling at the times and to the places they want me to. I used to have a convenient flight out of Bangalore leaving at 7 a.m. which would enable me to do a full day’s work at Mumbai and return by a flight which left Mumbai at 8.10 p.m.
I would land at Bengaluru International Airport (what a grandiose name for such a teeny-weeny thing) at 9.30 p. m. Of course, I would reach home after 11.30 p.m. but then those are the advantages of having an airport that is closer to Hyderabad than Bangalore! I have realised to my chagrin that this 7 a.m. flight has become a Jet Konnect flight which used to be Jetlite or Sahara (how confusing can it get).
Nor does the confusion stop there. I get a message even earlier saying that I have to buy breakfast and will not be allowed to use the lounge at the airport. In contrast when I do travel by Kingfisher Red (which is Air Deccan), I get to use the lounge where I normally stuff myself and also get complimentary snacks (this will almost certainly take that brand further into the red but that is another story).
I am not for one instant suggesting that the way to the consumer’s heart is through his stomach, but it seems to help. But more seriously, I do know that brands have to economise in tough times such as these and given the fact that most airline brands are in the red, they must cut corners.
But whilst they are looking at ways of economising are they losing out on the very essence of the brand?
When they have two airlines trying to address differing market needs are they sending out conflicting signals to the market? In short what is the Jet brand today and how is the Jet Konnect brand different other than the fact that you have to buy your food? I am sure the company knows the difference between these two and I do hope they know what they are doing. It did not seem like a cheap airline and it did not seem vastly different from Jet, other than the food bit.
Company policy and all that jazz
I am a very poor planner of my time, so I usually end up rescheduling flights, taking earlier flights out of cities or taking later flights out. Of course, aiding and abetting my confusion is the fact that my clients run my life and a lot of their confusion rubs off on me. (I am safe because my clients do not read what I write.)
Today thanks to the tough times that we live in, Jet Airways has started to charge for advancement as well. I always remember that one used to be penalised only for postponements.
Recently the same thing happened when I was trying to return earlier from Chennai. I wanted to take the earlier flight as usual. As the earlier flight was a Jet konnect flight I was informed that I would be charged both for cancellation and booking by the company, the net result being I had to pay Rs 1,500 more in addition to the Rs 3,300 that I was paying for the ticket.
I thought it was ridiculous and was surprised to note that a cancellation would amount to Rs 250 only. So what did I do? I cancelled my Jet Airways ticket and returned by Kingfisher. So much for customer loyalty and customer retention programmes! I kept arguing with the people on the phone and they kept saying ‘company policy’.
When will brands realise that the enemy of customer service is the term ‘company policy’? And outsourcing means the entire problem of the service provider comes back to the brand.
I know that a sample size of one is not serious enough to warrant a hue and cry. But it is also better for a service provider to overreact to a problem rather than brush it under the carpet. It is true that times are tough. It is also true that airlines have probably been hit harder by the current situation than certain other categories.
But Jet is no ordinary brand, in my view, at least. It has the capability of holding aloft the banner of service brands in this country and across the world. It needs to do some serious soul-searching and quickly understand from its consumers as to what they think of the brand now. Are they still using it? Are they quietly suffering? For there are many others who may quietly walk away into the sunset and that could hurt the brand even more.
I am not sure if these problems are too serious or I am overreacting to them. But then I am a consumer who is demanding, always comparing, creating problems and looking for their solution.
I also know that when the company responds to my problems and retrieves the situation I will be happy. Sadly I am promiscuous too and the step from being an ardent fan to a harsh critic could be a swift one, in my case, at least. My overriding regret, though, is for the brand which is letting the times get to it and runs the risk of losing its very essence. Did you have a similar experience? Then tell me about it.
P.S: I just received a call from Jet Airways saying that my flight has been rescheduled and I have to leave 90 minutes earlier!
(Ramanujam Sridhar is CEO, brand-comm, and the author of Googly - Branding on Indian Turf.)
I am a very poor planner of my time, so I usually end up rescheduling flights, taking earlier flights out of cities or taking later flights out. Of course, aiding and abetting my confusion is the fact that my clients run my life and a lot of their confusion rubs off on me. (I am safe because my clients do not read what I write.)
Today thanks to the tough times that we live in, Jet Airways has started to charge for advancement as well. I always remember that one used to be penalised only for postponements.
Recently the same thing happened when I was trying to return earlier from Chennai. I wanted to take the earlier flight as usual. As the earlier flight was a Jet konnect flight I was informed that I would be charged both for cancellation and booking by the company, the net result being I had to pay Rs 1,500 more in addition to the Rs 3,300 that I was paying for the ticket.
I thought it was ridiculous and was surprised to note that a cancellation would amount to Rs 250 only. So what did I do? I cancelled my Jet Airways ticket and returned by Kingfisher. So much for customer loyalty and customer retention programmes! I kept arguing with the people on the phone and they kept saying ‘company policy’.
When will brands realise that the enemy of customer service is the term ‘company policy’? And outsourcing means the entire problem of the service provider comes back to the brand.
I know that a sample size of one is not serious enough to warrant a hue and cry. But it is also better for a service provider to overreact to a problem rather than brush it under the carpet. It is true that times are tough. It is also true that airlines have probably been hit harder by the current situation than certain other categories.
But Jet is no ordinary brand, in my view, at least. It has the capability of holding aloft the banner of service brands in this country and across the world. It needs to do some serious soul-searching and quickly understand from its consumers as to what they think of the brand now. Are they still using it? Are they quietly suffering? For there are many others who may quietly walk away into the sunset and that could hurt the brand even more.
I am not sure if these problems are too serious or I am overreacting to them. But then I am a consumer who is demanding, always comparing, creating problems and looking for their solution.
I also know that when the company responds to my problems and retrieves the situation I will be happy. Sadly I am promiscuous too and the step from being an ardent fan to a harsh critic could be a swift one, in my case, at least. My overriding regret, though, is for the brand which is letting the times get to it and runs the risk of losing its very essence. Did you have a similar experience? Then tell me about it.
P.S: I just received a call from Jet Airways saying that my flight has been rescheduled and I have to leave 90 minutes earlier!
(Ramanujam Sridhar is CEO, brand-comm, and the author of Googly - Branding on Indian Turf.)
Wednesday, August 19, 2009
Changing world of ads and entertainment
The emergence of regional markets and consumers has led to the evolution of regional brands and advertising. Entertainment formats are evolving too, with reality shows capturing eyeballs and TV ratings..
The changes in advertising continue just like the changes in this column or the uncertainty as to whether the Ashes will change hands (at least at the time of writing) as the teams have just left Edgbaston.
A quick recap, more for my benefit, dear reader, than yours, of what we discussed in the previous column. We spoke about some of the legends who led the advertising industry with great distinction (not only their own advertising agencies).
Another significant shift that we mentioned has been of the trend of creative people leading agencies today, which too is an important point of difference from the past. Media too has transformed from five mainline newspapers and one Government-controlled TV channel to a bewildering array of choice for both the media planner and, more importantly, the consumer.
The increasing literacy in India has been a source of optimism for advertisers and advertising agencies, unlike in other countries, as India is one of the few markets where readership is growing and, consequently, advertising revenue and rates. And while 80 per cent of the world is under the grip of recession, India seems to be one of the few exceptions bucking the trend, a bit like England which seems to be the only country where even the fifth day of a test match is a sell-out!
But there are a few more changes that one has observed in between the rain interruptions at Edgbaston and the shifting of the battle to the possibly weepy skies of Headingley.
A quick recap, more for my benefit, dear reader, than yours, of what we discussed in the previous column. We spoke about some of the legends who led the advertising industry with great distinction (not only their own advertising agencies).
Another significant shift that we mentioned has been of the trend of creative people leading agencies today, which too is an important point of difference from the past. Media too has transformed from five mainline newspapers and one Government-controlled TV channel to a bewildering array of choice for both the media planner and, more importantly, the consumer.
The increasing literacy in India has been a source of optimism for advertisers and advertising agencies, unlike in other countries, as India is one of the few markets where readership is growing and, consequently, advertising revenue and rates. And while 80 per cent of the world is under the grip of recession, India seems to be one of the few exceptions bucking the trend, a bit like England which seems to be the only country where even the fifth day of a test match is a sell-out!
But there are a few more changes that one has observed in between the rain interruptions at Edgbaston and the shifting of the battle to the possibly weepy skies of Headingley.
English to Hinglish to Hindi to regional
When I first came into advertising (Oh God! here I go again), the industry suffered from the Madison Avenue hang-up. Agency types looked westward for inspiration, quoted Ogilvy and Bernbach and admired George Lois. The generation was proud of saying ‘we don’t see Hindi movies or Tamil movies ...’. They were from St. Xavier’s or Stella Maris and spoke the Queen’s English. They presented scripts, concepts and ads in English. Then the ads were translated and, usually, badly.
It was in the mid-eighties that Asian Paints recognised the importance of regions and languages with the commercial ‘Pongal’ that was conceptualised, filmed and released in Tamil Nadu with great success. Then, as India became younger, it started to loosen its collar (I am not speaking of ‘Friday dressing’ only) and if one may add, its tongue.
It first started speaking in a mix of English and a regional language as it no longer needed to speak in English to either express or impress. This led to lines like ‘Hamko Binnies mangta.’ Soon the wheel turned a full circle, just a bit like the Australian cricket team’s fortunes — more and more scripts were conceptualised, filmed and released with ideas that were essentially Hindi, and to confound people like me, many of them had a clever turn of phrase as well that are as perplexing as Abdul Qadir’s googly. Slogans like ‘Daag achha hai’ and ‘Dimag ki batti jala do’ to recall just two simple ones (you must make an allowance for my ignorance of the noble language) led the way.
However, much as I might crib about it, I do know that this trend is here to stay and a new breed of writers has emerged whose creative ability extends beyond scripting mere 30-second commercials selling soaps and shampoos to tear-jerking commercial cinema as well.
Hindi movies, and if one may add, TV scripts, conceptualised in Hindi for brands that are part of our everyday lives, are now on our television screens, often for 24 hours at a stretch. The emergence of regional markets and consumers is a trend that promises to stay as more and more brands are creating specifically in Tamil, Bengali or Malayalam for their customers so that they can engage with them.
The other trend is the emergence of regional brands that are making their presence felt and growing their market share with the aid of cable and satellite television. ‘Think regional beat multinational’ could well be the slogan of 2009.
When I first came into advertising (Oh God! here I go again), the industry suffered from the Madison Avenue hang-up. Agency types looked westward for inspiration, quoted Ogilvy and Bernbach and admired George Lois. The generation was proud of saying ‘we don’t see Hindi movies or Tamil movies ...’. They were from St. Xavier’s or Stella Maris and spoke the Queen’s English. They presented scripts, concepts and ads in English. Then the ads were translated and, usually, badly.
It was in the mid-eighties that Asian Paints recognised the importance of regions and languages with the commercial ‘Pongal’ that was conceptualised, filmed and released in Tamil Nadu with great success. Then, as India became younger, it started to loosen its collar (I am not speaking of ‘Friday dressing’ only) and if one may add, its tongue.
It first started speaking in a mix of English and a regional language as it no longer needed to speak in English to either express or impress. This led to lines like ‘Hamko Binnies mangta.’ Soon the wheel turned a full circle, just a bit like the Australian cricket team’s fortunes — more and more scripts were conceptualised, filmed and released with ideas that were essentially Hindi, and to confound people like me, many of them had a clever turn of phrase as well that are as perplexing as Abdul Qadir’s googly. Slogans like ‘Daag achha hai’ and ‘Dimag ki batti jala do’ to recall just two simple ones (you must make an allowance for my ignorance of the noble language) led the way.
However, much as I might crib about it, I do know that this trend is here to stay and a new breed of writers has emerged whose creative ability extends beyond scripting mere 30-second commercials selling soaps and shampoos to tear-jerking commercial cinema as well.
Hindi movies, and if one may add, TV scripts, conceptualised in Hindi for brands that are part of our everyday lives, are now on our television screens, often for 24 hours at a stretch. The emergence of regional markets and consumers is a trend that promises to stay as more and more brands are creating specifically in Tamil, Bengali or Malayalam for their customers so that they can engage with them.
The other trend is the emergence of regional brands that are making their presence felt and growing their market share with the aid of cable and satellite television. ‘Think regional beat multinational’ could well be the slogan of 2009.
Programmes, commercials or both?
I remember reading an interesting study many years ago which said that consumers in India found the TV commercials that preceded a programme to be more interesting than the programmes that were being aired. Soon things changed and serials such as Humlog and Buniyaad, not to forget ‘Ramayan’, ushered in the context of long running serials.
Aradhana, the movie with Rajesh Khanna and Sharmila Tagore, ran for a mere 100 weeks in Madras of all cities but this was nothing compared to some of the television serials that followed.
Ramayan was followed by Mahabharat and now by Jai Sri Krishna, not to forget the K series and the Chithis, the Arasis and the Kolangals on Sun TV. One of the biggest challenges that advertising agencies seem to face (and it is not a new challenge) is the answer to the question, ‘when do consumers get tired of our ads?’ I wonder if the makers of TV serials worry about such unnecessary trivia as the serials seem to go on and on ad infinitum (pun intended).
But other formats have emerged, not the least of which has been the reality show. Whilst one may agonise about the reality in the Rakhi Sawant wedding, the ratings are real. The TVR for the final episode on August 2 was as high as 6.3 and the audience an estimated 15.8 million. Of course, a few mad Indians were watching Australia salvage a draw, but many more savvy Indians were watching the ‘real thing.’ Consider, too, the tremendous build-up to the grand climax, the publicity, the cynicism from the elite (!), all of which points to a new, more confident India.
Yes, even as India is changing in front of our very eyes, so too must the means of communication to its people.
I remember reading an interesting study many years ago which said that consumers in India found the TV commercials that preceded a programme to be more interesting than the programmes that were being aired. Soon things changed and serials such as Humlog and Buniyaad, not to forget ‘Ramayan’, ushered in the context of long running serials.
Aradhana, the movie with Rajesh Khanna and Sharmila Tagore, ran for a mere 100 weeks in Madras of all cities but this was nothing compared to some of the television serials that followed.
Ramayan was followed by Mahabharat and now by Jai Sri Krishna, not to forget the K series and the Chithis, the Arasis and the Kolangals on Sun TV. One of the biggest challenges that advertising agencies seem to face (and it is not a new challenge) is the answer to the question, ‘when do consumers get tired of our ads?’ I wonder if the makers of TV serials worry about such unnecessary trivia as the serials seem to go on and on ad infinitum (pun intended).
But other formats have emerged, not the least of which has been the reality show. Whilst one may agonise about the reality in the Rakhi Sawant wedding, the ratings are real. The TVR for the final episode on August 2 was as high as 6.3 and the audience an estimated 15.8 million. Of course, a few mad Indians were watching Australia salvage a draw, but many more savvy Indians were watching the ‘real thing.’ Consider, too, the tremendous build-up to the grand climax, the publicity, the cynicism from the elite (!), all of which points to a new, more confident India.
Yes, even as India is changing in front of our very eyes, so too must the means of communication to its people.
You’ve come a long way, baby!
Advertising, television and movies can at best represent the times we live in and symbolise the current generation of Indians. The new India is confident of itself, though, at times, it is possible for some to view this as arrogance. But honestly, today’s India does not care. It has found acceptance from the rest of the world and is not afraid of reiterating and reinforcing its importance to the rest of the world.
The BCCI can tell the whole world a thing or two about being successful and reminding the world about its success. India has its fair share of successes from the smaller towns. It has cricketing greats who will stare at taller, stronger and more reputed guys in the eye or sledge them to kingdom come.
This attitude reflects India more and more and you just have to switch on your TV sets to watch this on display not only in the cricketing field but in advertising and in the films that are re-run Sunday after Sunday.
The woman is no longer content to keep quiet but actually raves and rants in front of the camera as to why the person at the other end of the line could have sex without protection. A small bit in a commercial but a giant shift in outlook and thinking.
Celebrities rule the roost as every third brand uses celebrities with varying degrees of popularity inflicting varying degrees of damage to the advertiser’s wallet. India and its advertising have come a long way like ‘Virginia Slims’ — a far cry from the days of using Leela Chitnis for Lux in 1941.
Advertising, television and movies can at best represent the times we live in and symbolise the current generation of Indians. The new India is confident of itself, though, at times, it is possible for some to view this as arrogance. But honestly, today’s India does not care. It has found acceptance from the rest of the world and is not afraid of reiterating and reinforcing its importance to the rest of the world.
The BCCI can tell the whole world a thing or two about being successful and reminding the world about its success. India has its fair share of successes from the smaller towns. It has cricketing greats who will stare at taller, stronger and more reputed guys in the eye or sledge them to kingdom come.
This attitude reflects India more and more and you just have to switch on your TV sets to watch this on display not only in the cricketing field but in advertising and in the films that are re-run Sunday after Sunday.
The woman is no longer content to keep quiet but actually raves and rants in front of the camera as to why the person at the other end of the line could have sex without protection. A small bit in a commercial but a giant shift in outlook and thinking.
Celebrities rule the roost as every third brand uses celebrities with varying degrees of popularity inflicting varying degrees of damage to the advertiser’s wallet. India and its advertising have come a long way like ‘Virginia Slims’ — a far cry from the days of using Leela Chitnis for Lux in 1941.
Unbundle, consolidate or perish
As for the agency business itself, the days of 15 per cent commission and 85 per cent confusion have gone. More and more agencies work on reduced commissions and some on retainers. The full service agency is a thing of the past, a bit like full houses in test matches in the sub-continent. The agency share of the pie is shrinking as clients use identity experts, event companies, media agencies, PR companies, creative shops, packaging consultants and brand advisors on a regular basis. The agency is being seen as a provider of ‘creative services’ and often enough not a partner. The reduced earnings make it difficult to get the talent that clients want and yet refuse to pay for, which is adding to the stress. The core competency of the agency is still the ability to produce great TV commercials that make a difference.
The agency business has changed and will continue to change in front of our very eyes. The agency business needs to take a closer look at itself and maybe find answers to some questions that are perhaps easier to ask than to answer, but here goes:
Are agencies truly partnering their clients, or are they living in hope?
Does the agency understand new media such as digital and mobile or is it merely looking the other way?
How much time and money are agencies investing in training their people to serve clients better?
How well does the agency understand and apply the other allied communication services?
What is the strategy to get better people into the business?
These are not great times to be in business. But this is, perhaps, the time for serious introspection. It generally needs a good crisis to get people thinking about important stuff that can make a difference to their future. Let’s not waste this opportunity to worry about the future now. That way we will, at least, have a future.
(Ramanujam Sridhar is CEO, brand-comm, and the author of Googly - Branding on Indian Turf.)
As for the agency business itself, the days of 15 per cent commission and 85 per cent confusion have gone. More and more agencies work on reduced commissions and some on retainers. The full service agency is a thing of the past, a bit like full houses in test matches in the sub-continent. The agency share of the pie is shrinking as clients use identity experts, event companies, media agencies, PR companies, creative shops, packaging consultants and brand advisors on a regular basis. The agency is being seen as a provider of ‘creative services’ and often enough not a partner. The reduced earnings make it difficult to get the talent that clients want and yet refuse to pay for, which is adding to the stress. The core competency of the agency is still the ability to produce great TV commercials that make a difference.
The agency business has changed and will continue to change in front of our very eyes. The agency business needs to take a closer look at itself and maybe find answers to some questions that are perhaps easier to ask than to answer, but here goes:
Are agencies truly partnering their clients, or are they living in hope?
Does the agency understand new media such as digital and mobile or is it merely looking the other way?
How much time and money are agencies investing in training their people to serve clients better?
How well does the agency understand and apply the other allied communication services?
What is the strategy to get better people into the business?
These are not great times to be in business. But this is, perhaps, the time for serious introspection. It generally needs a good crisis to get people thinking about important stuff that can make a difference to their future. Let’s not waste this opportunity to worry about the future now. That way we will, at least, have a future.
(Ramanujam Sridhar is CEO, brand-comm, and the author of Googly - Branding on Indian Turf.)
Brand India needs a champion
It is common for products, services and even organizations to brand themselves. Very often these branding exercises are done after extensive research to understand what consumers want, followed by carefully crafted positioning and slick communication, all adding up to a coherent promotion for the brand. This coupled with a number of value propositions which the brand owners provide along with the service experience creates an image for brands in the minds and hearts of consumers. There is also another important aspect to successful brands. Brands have custodians who guide their destiny and constantly worry about the image of the brand and they keep pushing their teams to come up with activities that add to the image of the brand. Associations are carefully nurtured and those that might dilute the brand’s equity are quickly eliminated. Nothing is left to chance and the environment is carefully monitored for things that are unexpected. There is almost paranoia about what the competition does or even contemplates doing. Smart brand managers too know that branding is not only about identity and advertising, though they are important too, but about the whole customer experience connected with the brand. Experts on branding claim that any thing can and will become a brand - whether it is a product, a company, a service, a person or even a place. Right now all of us are in India, a country which has developed significantly over the six odd decades of its independence and yet
even the most ardent of its fans must confess that despite our progress there are “miles to go before India sleeps” when we evaluate India as a brand.
A brand called India
India might not have consciously attempted to brand itself, but it is still evoking reactions both within the country and in other parts of the world ever since its inception. In fact they do say that “perception is reality”, and in my view at least, the perceptions about India have probably harmed it more than they have helped it. Very simply put there are a few major stages in India’s brand history after independence which happened in 1947 as all of us know. In the early stages, India was a country of elephants and snake charmers, at least to the rest of the world, and one did not have to visit the country to subscribe to this point of view. Thankfully visitors to
India experienced different facets of the young nation’s diversity and beauty in each visit. They realized that there was more to India than the things that they already knew about like the Taj Mahal and yoga. They came back, again and again, their horizons widened and slowly their impressions about the country changed and the change was usually for the better. This was primarily the tourist, whose expectations were different and usually met on most counts, barring the infrastructure, the lack of which continues to fox everyone including the people who are responsible for creating the infrastructure. India ambled along placidly, dragged back by a large population below the poverty line while the rest of the world was galloping in economic terms. The business and financial world did not take too much interest in India and who could blame them? India’s liberalization changed many things not least of all, the world’s view of our country. Suddenly a new interest group emerged and that was the foreign institutional investor who immediately looked at India and the tremendous opportunity it provided. Things changed dramatically as investors came, if not in hordes but in reasonably large numbers, as the “vast
Indian middle class” which was only rivaled by China beckoned the rest of the world. More and more MNC brands entered the country. To evaluate their success or failure is not the purpose of this piece.
The world gets Bangalored
The next major facet of brand India has actually been a city which has almost overshadowed the country that it is part of, when it comes to the brand stakes. Let me start with a small anecdote. In September 2003 I went to South Africa to watch the cricket world cup. (India has its fair share of cricket crazy people like me who keep traveling around the world in the hope that their team wins!). I bumped into someone at the mall quite literally and instantly apologized, only to
be asked “Indian?” I said “yes”. (We Indians have a give away complexion even before one gets to hear us speak.) He then went on to ask “Which city?” I said “Bangalore” and his instant reaction was “Oh, software?” Mind you, he was just an ordinary citizen, not even someone from business. It’s amazing the way IT and IT enabled services have captured the image high ground in a manner in which no other industry has been able to do for India over the years and almost hijacked the India brand, so strong is the association with software and technology. In fact it has spawned new words in the lexicon like “Bangalored” and even today Barack Obama seems to have his sights on jobs in Bangalore and how there would be a different structure of
taxation to protect jobs in the US. Well we seem to have progressed rather dramatically from being seen as a nation of snake charmers to a nation of techies, and even people like me, who are probably best described as technophobes, are acquiring a degree of respectability.
Do people understand what branding means?
Yet even the greatest optimist must recognize that things do not happen the way it ought to in affairs which involve a city, a state or a nation even. Let me explain. I have already spoken about how Bangalore, thanks to its association with software and technology, has pole-vaulted to instant recognition across the world. And yet what do the people who run the state and the city do? They change the successful city’s name to Bengaluru. They were hardly the first as even earlier Madras had become Chennai, Calcutta had become Kolkata and even Bombay had become Mumbai. Clearly the people who run these cities have no clue about the sanctity of the brand name or how a brand name is forever, and are merely pursuing their own personal,
shortsighted agenda . Nor do they ask people like you and me to whom the city matters as to what we think of the proposed change. In fact most of these cities suffer from a lack of ownership for the brand, as people with a different agenda and with a very limited view of branding and its long term implications tamper with the brand.
On to India
Today India has a few people who realize what branding can do. {Thank God for small mercies!}. In fact in 2007 a major exercise was undertaken in New York when the UN was in session showcasing India’s achievements since the six decades of independence across a variety of verticals and dispelling the notion that India is more than a destination for tourists. It has the capability to be the destination for foreign capital and a provider of cheap, intelligent and efficient
manpower, the creator of films that the world watches, the manufacturer of the lowest priced car in the world … in short a brand with multi-faceted skills and achievements. All too often branding is seen as an exercise to build a brand for tourists and tourism. Malaysia did a highly visible campaign showcasing the country’s inherent beauty and the fact that it had so many sights worth seeing. India too has had its “discover India’ campaign. But branding a nation is far more complex. It needs to address several audiences many of whom are looking for different things and this nation offers it. Most critically India needs to position itself to the external world consciously and not leave it to accidents of chance or fate and that is the challenge we must face.
Mind you we have made a start. We are being noticed. Now all we need to do is ensure that we are being noticed for the right things and some of the earlier misconceptions are corrected.
But who will manage it?
The recent elections in India have thankfully thrown up results that indicate reasonable stability. Unless the current lot of elected people do something that is very dumb (which is not beyond them) they should stay in power for five years. Five years is a reasonable time frame in the context of a nation and almost “long term’ in the context of a brand. Traditionally government has a cabinet of ministers drawn from the length and breadth of this country who are allotted portfolios like health, education, home, defence to name just a few of the hordes of ministries that we have. But whose responsibility will be brand India? Who will agonize about the perceptions that continue to hurt it? What revisions in India’s image will be contemplated? What will be the desired personality? What are the recognition symbols of India? One of the things that we have realized over the years is that successful brands have senior people managing and guiding their destinies. CEOs of companies constantly worry about their brands and it is not only valuation that guides their thinking .In the case of a nation, particularly a developing nation like ours, which has aspirations that are sky high, the task of brand management becomes even more critical. It cannot be done piece meal as it is currently being done - with someone looking after tourism and someone else looking after Information and broadcasting. A brand cannot be fragmented. It needs to be looked at holistically. India more than ever needs a champion, both internally and externally. A champion who can win over the cynics and the disbelievers, both within the country and without. A champion who can communicate the brand’s achievements in a manner that is credible. It is not about spin, as much as it is about building and sustaining credibility. The time is now. India is ready for branding, but who is ready to don the mantle?
Ramanujam Sridhar is CEO of brand-comm and the author of”Googly –
branding on Indian turf”.
even the most ardent of its fans must confess that despite our progress there are “miles to go before India sleeps” when we evaluate India as a brand.
A brand called India
India might not have consciously attempted to brand itself, but it is still evoking reactions both within the country and in other parts of the world ever since its inception. In fact they do say that “perception is reality”, and in my view at least, the perceptions about India have probably harmed it more than they have helped it. Very simply put there are a few major stages in India’s brand history after independence which happened in 1947 as all of us know. In the early stages, India was a country of elephants and snake charmers, at least to the rest of the world, and one did not have to visit the country to subscribe to this point of view. Thankfully visitors to
India experienced different facets of the young nation’s diversity and beauty in each visit. They realized that there was more to India than the things that they already knew about like the Taj Mahal and yoga. They came back, again and again, their horizons widened and slowly their impressions about the country changed and the change was usually for the better. This was primarily the tourist, whose expectations were different and usually met on most counts, barring the infrastructure, the lack of which continues to fox everyone including the people who are responsible for creating the infrastructure. India ambled along placidly, dragged back by a large population below the poverty line while the rest of the world was galloping in economic terms. The business and financial world did not take too much interest in India and who could blame them? India’s liberalization changed many things not least of all, the world’s view of our country. Suddenly a new interest group emerged and that was the foreign institutional investor who immediately looked at India and the tremendous opportunity it provided. Things changed dramatically as investors came, if not in hordes but in reasonably large numbers, as the “vast
Indian middle class” which was only rivaled by China beckoned the rest of the world. More and more MNC brands entered the country. To evaluate their success or failure is not the purpose of this piece.
The world gets Bangalored
The next major facet of brand India has actually been a city which has almost overshadowed the country that it is part of, when it comes to the brand stakes. Let me start with a small anecdote. In September 2003 I went to South Africa to watch the cricket world cup. (India has its fair share of cricket crazy people like me who keep traveling around the world in the hope that their team wins!). I bumped into someone at the mall quite literally and instantly apologized, only to
be asked “Indian?” I said “yes”. (We Indians have a give away complexion even before one gets to hear us speak.) He then went on to ask “Which city?” I said “Bangalore” and his instant reaction was “Oh, software?” Mind you, he was just an ordinary citizen, not even someone from business. It’s amazing the way IT and IT enabled services have captured the image high ground in a manner in which no other industry has been able to do for India over the years and almost hijacked the India brand, so strong is the association with software and technology. In fact it has spawned new words in the lexicon like “Bangalored” and even today Barack Obama seems to have his sights on jobs in Bangalore and how there would be a different structure of
taxation to protect jobs in the US. Well we seem to have progressed rather dramatically from being seen as a nation of snake charmers to a nation of techies, and even people like me, who are probably best described as technophobes, are acquiring a degree of respectability.
Do people understand what branding means?
Yet even the greatest optimist must recognize that things do not happen the way it ought to in affairs which involve a city, a state or a nation even. Let me explain. I have already spoken about how Bangalore, thanks to its association with software and technology, has pole-vaulted to instant recognition across the world. And yet what do the people who run the state and the city do? They change the successful city’s name to Bengaluru. They were hardly the first as even earlier Madras had become Chennai, Calcutta had become Kolkata and even Bombay had become Mumbai. Clearly the people who run these cities have no clue about the sanctity of the brand name or how a brand name is forever, and are merely pursuing their own personal,
shortsighted agenda . Nor do they ask people like you and me to whom the city matters as to what we think of the proposed change. In fact most of these cities suffer from a lack of ownership for the brand, as people with a different agenda and with a very limited view of branding and its long term implications tamper with the brand.
On to India
Today India has a few people who realize what branding can do. {Thank God for small mercies!}. In fact in 2007 a major exercise was undertaken in New York when the UN was in session showcasing India’s achievements since the six decades of independence across a variety of verticals and dispelling the notion that India is more than a destination for tourists. It has the capability to be the destination for foreign capital and a provider of cheap, intelligent and efficient
manpower, the creator of films that the world watches, the manufacturer of the lowest priced car in the world … in short a brand with multi-faceted skills and achievements. All too often branding is seen as an exercise to build a brand for tourists and tourism. Malaysia did a highly visible campaign showcasing the country’s inherent beauty and the fact that it had so many sights worth seeing. India too has had its “discover India’ campaign. But branding a nation is far more complex. It needs to address several audiences many of whom are looking for different things and this nation offers it. Most critically India needs to position itself to the external world consciously and not leave it to accidents of chance or fate and that is the challenge we must face.
Mind you we have made a start. We are being noticed. Now all we need to do is ensure that we are being noticed for the right things and some of the earlier misconceptions are corrected.
But who will manage it?
The recent elections in India have thankfully thrown up results that indicate reasonable stability. Unless the current lot of elected people do something that is very dumb (which is not beyond them) they should stay in power for five years. Five years is a reasonable time frame in the context of a nation and almost “long term’ in the context of a brand. Traditionally government has a cabinet of ministers drawn from the length and breadth of this country who are allotted portfolios like health, education, home, defence to name just a few of the hordes of ministries that we have. But whose responsibility will be brand India? Who will agonize about the perceptions that continue to hurt it? What revisions in India’s image will be contemplated? What will be the desired personality? What are the recognition symbols of India? One of the things that we have realized over the years is that successful brands have senior people managing and guiding their destinies. CEOs of companies constantly worry about their brands and it is not only valuation that guides their thinking .In the case of a nation, particularly a developing nation like ours, which has aspirations that are sky high, the task of brand management becomes even more critical. It cannot be done piece meal as it is currently being done - with someone looking after tourism and someone else looking after Information and broadcasting. A brand cannot be fragmented. It needs to be looked at holistically. India more than ever needs a champion, both internally and externally. A champion who can win over the cynics and the disbelievers, both within the country and without. A champion who can communicate the brand’s achievements in a manner that is credible. It is not about spin, as much as it is about building and sustaining credibility. The time is now. India is ready for branding, but who is ready to don the mantle?
Ramanujam Sridhar is CEO of brand-comm and the author of”Googly –
branding on Indian turf”.
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